{"id":36,"date":"2015-08-04T14:09:31","date_gmt":"2015-08-04T14:09:31","guid":{"rendered":"https:\/\/gritariauem.wordpress.com\/?page_id=36"},"modified":"2024-12-09T00:25:08","modified_gmt":"2024-12-09T00:25:08","slug":"pesquisas","status":"publish","type":"page","link":"https:\/\/raelgimenes.com\/gritaria\/pesquisas\/","title":{"rendered":"Publica\u00e7\u00f5es"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">2024<\/h2>\n\n\n\n<p class=\"\">TOFFOLO, R. B. G.. Contributions of Gibson\u2019s Ecological Psychology to the Creation of Interactive Sound Installations.\u00a0<strong>Vortex Music Journal<\/strong>,\u00a0v. 12, p. 1\u201329, 2024. <a href=\"https:\/\/doi.org\/10.33871\/vortex.2024.12.9513\" data-type=\"link\" data-id=\"https:\/\/doi.org\/10.33871\/vortex.2024.12.9513\" target=\"_blank\" rel=\"noreferrer noopener\">DOI: 10.33871\/vortex.2024.12.9513<\/a>.\u00a0<\/p>\n\n\n\n<p class=\"\">OLIVEIRA, C. A.; TOFFOLO, R. B. G.. <strong>Reflex\u00f5es sobre a expectativa musical na percep\u00e7\u00e3o de acordes isolados<\/strong>. In: IV Encontro de Cogni\u00e7\u00e3o e Artes Musicias, 2024, S\u00e3o Paulo, Salvador, Curitiba. Caderno de resumos e programa\u00e7\u00e3o do IV Encontro de Cogni\u00e7\u00e3o e Artes Musicais. Curitiba: Associa\u00e7\u00e3o Brasileira de Cogni\u00e7\u00e3o e Artes Musicais, 2024, p.25 \u2013 26<\/p>\n\n\n\n<p class=\"\">TOFFOLO, R. B. G.. <strong>Explorando aspectos da Psicologia Ecol\u00f3gica na Cria\u00e7\u00e3o Musical: uma abordagem para Paisagens Sonoras Interativas<\/strong>. In: IV Encontro de Cogni\u00e7\u00e3o e Artes Musicias, 2024, S\u00e3o Paulo, Salvador, Curitiba. Caderno de resumos e programa\u00e7\u00e3o do IV Encontro de Cogni\u00e7\u00e3o e Artes Musicais. Curitiba: Associa\u00e7\u00e3o Brasileira de Cogni\u00e7\u00e3o e Artes Musicais, 2024, p.53 \u2013 55<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2023<\/h2>\n\n\n\n<p class=\"\">PAZ, M. G. T.; TOFFOLO, R. B. G.. <strong>Contribui\u00e7\u00f5es da cogni\u00e7\u00e3o musical \u00e0s t\u00e9cnicas de constru\u00e7\u00e3o sonora em videogames<\/strong>. In: Primer Congreso Iberoamericano de Piscolog\u00eda de la M\u00fasica y Cognici\u00f3n Musical, 2023, remoto. Actas del Primer Congreso de Psicolog\u00eda de la M\u00fasica y Cognici\u00f3n Musical. Madrid: aepmin, 2023, v.1, p.400 \u2013 405. <a href=\"https:\/\/sedici.unlp.edu.ar\/handle\/10915\/159466\" data-type=\"link\" data-id=\"https:\/\/sedici.unlp.edu.ar\/handle\/10915\/159466\" target=\"_blank\" rel=\"noreferrer noopener\">Link para os Anais<\/a><\/p>\n\n\n\n<p class=\"\">SPOSITO, T. G. TOFFOLO, R. B. G. Caminhando o perceber: resson\u00e2ncia espa\u00e7otemporal em uma obra audiovisual. In: Vania Malagutti, Alfeu R. de Ara\u00fajo Filho, Rael B. G. Toffolo (org.)&nbsp;<strong>Ensino, aprendizagem e express\u00e3o musical: pesquisas do programa de p\u00f3s-gradua\u00e7\u00e3o em M\u00fasica da UEM.&nbsp;<\/strong>Curitiba, Appris Editora, 2023.&nbsp;<a href=\"https:\/\/pmu.uem.br\/nova-publicacao-do-pmu\" target=\"_blank\" rel=\"noreferrer noopener\">e-PUB<\/a><\/p>\n\n\n\n<p class=\"\">ALVES, W. E.; TOFFOLO, R. B. G. <strong>O vivo e a musica: inspira\u00e7\u00f5es dos sistemas biol\u00f3gicos para a cria\u00e7\u00e3o de obras musicais<\/strong>. In: 1\u00ba Congresso ibero-americano de Psicologia da M\u00fasica e Cogni\u00e7\u00e3o Musical, 2023, online. <a href=\"https:\/\/sedici.unlp.edu.ar\/handle\/10915\/159466\" data-type=\"link\" data-id=\"https:\/\/sedici.unlp.edu.ar\/handle\/10915\/159466\" target=\"_blank\" rel=\"noreferrer noopener\">Link para os Anais<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2022<\/h2>\n\n\n\n<p class=\"\">TOFFOLO, R. B. G..&nbsp;<strong>A cogni\u00e7\u00e3o musical deve ser mais que musical<\/strong>. In: XXXII Congresso da ANPPOM, 2022, Natal. Anais do Congresso da ANPPOM. Natal: Associa\u00e7\u00e3o Nacional de Pesquisa e P\u00f3s-gradua\u00e7\u00e3o em M\u00fasica, 2022.&nbsp;<a href=\"https:\/\/anppom.org.br\/anais\/anaiscongresso_anppom_2022\/papers\/1088\/public\/1088-5662-1-PB.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">PDF<\/a><\/p>\n\n\n\n<p class=\"\">SOUZA, C. F. ; TOFFOLO, R. B. G.. <strong>Cogni\u00e7\u00e3o musical e a pr\u00e1xis criativa: contribui\u00e7\u00f5es do paradigma din\u00e2mico da cogni\u00e7\u00e3o para a composi\u00e7\u00e3o de obras musicais interativas<\/strong>. In: XXXII Congresso da ANPPOM, 2022, Natal. Anais do Congresso da ANPPOM. Natal: Associa\u00e7\u00e3o Nacional de Pesquisa e P\u00f3s-gradua\u00e7\u00e3o em M\u00fasica, 2022.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2021<\/h2>\n\n\n\n<p class=\"\">IMPERATORE VIANNA, J. R.; TOFFOLO, R. B. G. Uma narrativa videogr\u00e1fica de Joke de Stefano Scodanibbio baseada na Teoria da Imagina\u00e7\u00e3o da Escuta de Denis Smalley. <strong>MusiMid: Revista Brasileira de Estudos em M\u00fasica e M\u00eddia<\/strong>, v. 2, n. 1, p. 121-143, 27 maio 2021. <a href=\"https:\/\/www.researchgate.net\/publication\/351917888_Uma_narrativa_videografica_de_Joke_de_Stefano_Scodanibbio_baseada_na_Teoria_da_Imaginacao_da_Escuta_de_Denis_Smalley_A_videographic_narrative_of_Joke_by_Stefano_Scodanibbio_based_on_Denis_Smalley%27s_Th\">ResearchGate<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2020<\/h2>\n\n\n\n<p class=\"\">TOFFOLO, R. B. G.. Towards an Ecological Approach to the Interactive Arts. In: Marcos Nogueira; Guilherme Bertissolo. (Org.). Composition, Cognition, and Pedagogy. 1ed.Curitiba: Brazilian Association of Cognition and Musical Arts, 2020, v. , p. 131-160. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.google.com\/url?q=https%3A%2F%2Fwww.amazon.com%2FComposition-Cognition-Pedagogy-Music%2Fdp%2F6599318606%2Fref%3Dsr_1_1%3Fcrid%3D20MMY9JE7BMSH%26dchild%3D1%26keywords%3Dcomposition%2Bcognition%2Band%2Bpedagogy%26qid%3D1614188292%26sprefix%3DComposition%252C%2BCognition%252Caps%252C827%26sr%3D8-1&amp;sa=D&amp;sntz=1&amp;usg=AOvVaw0Zg0wyKeQjx1LfDn6EAW7s\" target=\"_blank\">Amazon.com<\/a><\/p>\n\n\n\n<p class=\"\">SOUZA, C. F. ; TOFFOLO, R. B. G.. O conceito de Interatividade considerado \u00e0 luz da Ci\u00eancia Cognitiva. In: Guilherme Bertissolo; Marcos Nogueira. (Org.). Encontros de cogni\u00e7\u00e3o musical: Processos Criativos 2020. 1ed.Curitiba: Associa\u00e7\u00e3o Brasileira de Cogni\u00e7\u00e3o e Artes Musicais, 2020, v. , p. 123-130. <a href=\"https:\/\/gritariauem.wordpress.com\/wp-content\/uploads\/2022\/07\/souza_toffolo_encam3.pdf\">PDF<\/a><\/p>\n\n\n\n<p class=\"\">SPOSITO, T. G. ; TOFFOLO, R. B. G. . Uma abordagem temporal da teoria da imagina\u00e7\u00e3o da escuta de Smalley. In: XXX Congresso da ANPPOM, 2020, Manaus. Anais do Congresso da ANPPOM. Manaus: Associa\u00e7\u00e3o Nacional de Pesquisa e P\u00f3s-gradua\u00e7\u00e3o em M\u00fasica, 2020. p. 1-10. <a rel=\"noreferrer noopener\" href=\"http:\/\/www.google.com\/url?q=http%3A%2F%2Fanppom-congressos.org.br%2Findex.php%2F30anppom%2F30CongrAnppom%2Fpaper%2Fview%2F160%2F98&amp;sa=D&amp;sntz=1&amp;usg=AOvVaw26ePPqNeAWm9tPLdWbWLaq\" target=\"_blank\">Link do artigo nos Anais da ANPPOM<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2019<\/h2>\n\n\n\n<p class=\"\">TOFFOLO, R. B. G. Computational Implementation of Henry Pousseur\u2019s Harmonic Networks Applied to Live-electronic Music. In: Brazilian Journal of Music and Mathematics, V. III, n. 1, Jun. 2019, p. 49-66, 2019. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.google.com\/url?q=https%3A%2F%2Fmusmat.org%2F08-toffolo%2F&amp;sa=D&amp;sntz=1&amp;usg=AOvVaw1eOWcAT7H2IqMhBXKswA6N\" target=\"_blank\">Link da revista<\/a><\/p>\n\n\n\n<p class=\"\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2024 TOFFOLO, R. B. G.. Contributions of Gibson\u2019s Ecological Psychology to the Creation of Interactive Sound Installations.\u00a0Vortex Music Journal,\u00a0v. 12, p. 1\u201329, 2024. DOI: 10.33871\/vortex.2024.12.9513.\u00a0 OLIVEIRA, C. A.; TOFFOLO, R. 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